| HUM 270 |
"Theories
of Modernity" |
Frederick
Jameson |
Paradoxically, the concept
of modernity has undergone a revival in a postmodernity
intent on a thoroughgoing critique of modernism. It
is therefore appropriate to review the classical texts on
modernity—Descartes, Weber, Simmel, Heidegger, Foucault—in
order to determine possible differences between a modern
concept of modernity and a postmodern one. Aesthetic
modernism will be analyzed only insofar as it constitutes
a significant feature of the various concepts of modernity.
It is to be suspected that the "modern" is a narrative
category, which projects some premodern stage out of itself
and inevitably includes this or that future orientation:
presumably, however, these narrative configurations are
themselves structurally modified from period to period in
significant ways. The course therefore begins with
a brief retrospect of the various meanings the word "modern"
has taken on since the 6th century AD. Students are
urged to read texts in the original language (but only English
versions will be ordered and/or distributed).