Humanities 270B
Professor Mark Poster
Theories of Technology & Culture
Winter 2004
Required Texts
Topics and Readings
Assignments
Technology has been changing both in quality (from mechanical to "intelligent" machines) and quantity (extension from factories to homes and all locations of daily life). All cultural products are now mediated by advanced technologies. In this context a retheorization of technology is under way; this course will question the changing relation of culture to technology.
January 12 Introduction: Machines and Humans
Mark Poster, What’s the
Matter with the Internet? Chs. 1-5
January 19 Theories of Technology (Martin Luther King Day)
Heidegger, The Question Concerning Technology, pp. 3-35 and 115-154
Félix Guattari,
"Machinic Heterogenesis," in V. Conley,
ed., Rethinking Technologies
Also of Interest:
Samuel Weber, Mass Mediauras (Stanford Press)
Andrew Feenberg, Critical Theory of Technology
January 26 Mass
Culture and Machines
T. Adorno and M. Horkheimer, Dialectic of Enlightenment, Chs. 1 and 5 Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction"
Also of Interest:
Henry Jenkins, Textual Poachers
John Fisk and
John Hartley, Reading Television
(Routledge)
Nestor Garcia Canclini, Consumers: Globalization and Multicultural Conflicts (Minnesota)
February 2 Media and Popular Culture
Baudrillard, Selected Writings, Chs. 1,2,7,9, 13
Also of Interest:
Marshall McLuhan, Understanding
Media
February 9
The Book as Media/ Digital Writing
Friedrich
Kittler, Literature, Media, Information Systems, Chs.
1,7,8
Also of Interest:
Katherine Hayles, Writing Machines (MIT 2002)
Espen Aarseth, Cybertext (Johns Hopkins 1997)
Adrian Johns, The Nature of the Book
(
February 16 Sexualities, Genders and Digital Technology (President’s Day)
Lynne Joyrich, Re-Viewing Reception:
Television, Gender, and Postmodern Culture (Indiana Press, 1996)
Also of Interest:
Sue Ellen Case, The
Domain Matrix (
Alluquère
Rosanne Stone, War of Desire and Technology at the End of the Mechanical Age (MIT Press)
Anne Balsamo, Technologies of the Gendered Body (Duke)
February 23 Databases as
Culture and Art
Lev Manovich,
The Language of New Media, Introduction, Chs. 1, 5 and 6
Also of Interest:
Paul Virilio, War and Cinema
William J. Mitchell, City
of Bits (Internet) (http://www-mitpress.mit.edu/City_of_Bits)
March 1 Community Through Technology
Sherry Turkle, Life on the Screen (MIT Press) pp. 9-73, 177-269
Also of Intereest:
Vannevar Bush, "As We May Think," Atlantic
Monthly (July 1945)
Hans Magnus Enzensberger, "Constituents of a
Theory of the Media," New Left Review
March 8 Technoculture Across Ethnicities: Translation and Globalization
Rey Chow, Primitive
Passions, Part 3, pp. 173-202
Also of Interest:
Lisa Nakamura, Cybertypes: Race, Ethnicity, and Identity on the Internet (Routledge 2002)
March 15 Machines and/as Humans
Donna Haraway, “Cyborg Manifesto”
Pierre Lévy, "Toward Superlanguage"
Also of Interest:
Katherine Hayles, How We Became Posthuman (Chicago 1999)
Mark Weiser, “Ubiquitous Computing,” 1993
2. A 15 to 20 page paper examining intensively some aspect of the reading based primarily on the assigned and recommended texts.
3. A 15 to 20 page paper relating some aspect of the course to the student's ongoing research project.
4. Starting with an annotated bibliography of Web sites and internet sources, write a paper which self-reflexively assesses the epistemological consequences of on-line research.
Oral Presentation: To be determined on the first class meeting
Another Alternative: Instead of doing theory through books, we can view and discuss some movies (Matrix; Dark City; Videodrome; Strange Days; eXistenZ; Minority Report are some of the possibilities). We might also spend time discussing web pages of those engaged with radical experiments linking electronic media and the body (Stelarc, Orlan) and other regions of the Internet like blogs, IRC, Usenet, and so forth. Finally we might read a work of fiction related to our theme such as William Gibson’s classic, Neuromancer or, Neil Stephenson’s more recent, Cryptonomicon or an earlier work.